Lieutenant Ira P. Gillette, photographic officer of the 1st Division, A.E.F., in France, April 1918. Colorized Signal Corps photograph, courtesy Harry B. Kidd
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Powerhouse
As demonstrated in our presentation, the work done by these military cameramen from the United States improved significantly as a result of the CPI film efforts. At the time of the Armistice in November 1918, the Photographic Unit of the U.S. Signal Corps had become a remarkable powerhouse, with seven photographic field units on duty in the combat zone on the Western Front. At the National Archives in Washington, D.C., there is also a huge amount of footage available that was shot by these cameramen. The American film legacy of the Great War is impressive.Based on our book American Cinematographers in the Great War, we did additional research for this presentation on the Signal Corps films of World War I. We edited the results into a film presentation and showed this short documentary for the first time during the conference on December 1. Enjoy this web launch!
Here is a link to the conference paper that we submitted on the birth of military cinematography in the United States during World War I.
Postscript
In 2023, all contributions to this conference in Namur were published in French in this publication Naissance des cinémas militaires (1914-1939)
i never knew the information about Armistice Day, or Remembrance Day. thank you for sharing.
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Bloody battle shiloh